We are building a dive resort in Raja Ampat !!! Do I need to say more? It has been our biggest dream and everything unfolded in 2012 miraculously. We met wonderful people along the way, some of which became our comrades in this adventure. The flow of support, encouragement, positive energy keeps us going. We still have a long way ahead and we’re looking forward to going through every step of it. This is the biggest miracle of 2012 and for this, 2012 will always be remembered in our family history.

We had our first broadcasting deal in 2012.  We sold the footage of the ghost eel larva to Japanese National Channel, NHK. It will be used in a series called Darvin Comes and will be broadcasted in July. We’re looking forward to watching it !

Tunc’s photographs featured in magazines again. South Africa’s Submerge published his pictures on 8 pages and the cover of their December issue. We took part in Asian Diver and UPW with two articles as well as underwater photos.

2012 has been a wonderful year, full of new beginnings. We are grateful for the continuos support and encouragement from you all. We wish you all a great year in 2013, filled with love, peace and exciting adventures. 

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Gili Islands, Air, Meno and Trawangan are located between Lombok and Bali. Trawangan is the most popular of them all. Its permanent population is around 800, most of the workforce comes from Lombok and other islands. Gili Trawangan used to be a back packer haven back in the 80ies with it’s cheap accomodation, beautiful beaches and the ease of access to numerous illegal drugs. Despite Indonesia’s strict rules about drugs, absence of a police force on these islands lead Trawangan become famous as a tropical junkie holiday destination. After 90′ies, bigger and more luxurious accomodation options came into the scene which brought some balance.

Gili Trawangan is a tiny, little island literally. There are no motorized vehicles and the only means of transportation are horse carts and bicycles. And you can always walk of course. It takes around 2 hours to walk around the island.

Most of the hotels and restaurants are located on the east-west of the island. There are lots of options from high quality restaurants to local food stalls. All of them offer delicious, fresh, scrumptious seafood. It’s wonderful to be able to sink your toes into white, tropical sand, eat great food and listen to live music at the same time.

We saw lots of dive centers on the island, more than magic mushroom sellers, which shows that the main attraction has become water sports rather than drugs now. Turqoise, clear waters are ideal for snorkelling, surfing and scuba diving.

Coral reefs have been severely destroyed in the past by illegal fishing. However, with the increasing focus on tourism, they’ve realised the importance of protecting their seas. Gili Eco Trust is a non-governmnental local organisation founded in 2000 and takes an active role in protecting the reefs, educating the locals, recycling garbage and a lot more on sustainable tourism.

Underwater life has not fully recovered from the damage yet, the reef life is not impressive compared to other parts of Indonesia. However, tropical waters are always full of surprises. We were fortunate enough to have some nice dives and a few good shots. And although there are better places for diving, we love the laid back, peaceful atmosphere of Gili Trawangan.

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If you look at the hotel ads and Palau booklets, you would see a white sandy beach with turquoise ocean in every one of them. Well, 80% of it is scam. Only a few hotels have a beach and most 3 star hotels don’t deserve

the number of stars they claim to be given.  So double checking the location and facilities of the hotel with a critical approach is needed when it comes to planning a holiday in Palau. Our hotel wasn’t by the beach, but it was comfortable and clean enough and we were happy with the whole experience.

Palau’s economy depends on tourism, mainly scuba diving and snorkeling which is great for us divers. One of the biggest dive centers is Fish’n Fins.  Rental equipment is in very good condition,  their boats are spacious, fast and comfortable, dives are organized very well and safe, their dive guides are great and they organize interesting land tours as well. The owners are very helpful , they help to organize the whole trip including transfers and hotel booking which is great for planning your holidays hassle free and safe.
Currency in Palau is US dollars. Electricity outlets are American type with 110 V so don’t forget to pack a converter to charge your cameras. None of the mobile network carriers work in Palau, you need to buy a local SIM card to be able to use your mobile. If you have an i-phone, you may not be able to use the local SIM card though as they didn’t have the cutter to turn the SIM card to a micro SIM card when we were there. Luckily I had my blackberry with me and we used the card on that.

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The post Alien is on UWPMagazine appeared first on Tunc & Selen Yavuzdogan Photography.

Underwater in Lembeh is magical. Its murky waters are home to around 2000 species, many of which are too small for the untrained eye to spot during a dive. It’s normal to find something on or under everything in Lembeh. It’s one of those rare places where you are likely to see a shrimp on a nudybranch, an orangutan crab out in the open sand, flamboyant cuttlefish hatching from eggs miraculously. 

It was December, 2009 when I first went to Lembeh.  I’ve always been drawn to the tiny, colorful creatures of the seas and Lembeh was generously displaying these hidden treasures if you could manage to see them.  Tunc was also ecstatic forming his own version of Macrolife.  We had the best dive guide we’ve ever seen with us who could find tiny little creatures everywhere. I was ready for miracles and it happened.

We had just started our dive in Jahir I, and it was quite an ordinary dive until our guide showed us an alien-like creature moving frantically around. It was transparent, around 30cm in length and looked like an eel. It was so transparent that, it was very hard to focus and capture a good shot of it. Its crazy and clumsy movements hinted that it was a juvenile, but the size was big enough to be a grown up eel of some kind.  I was so amazed and hypnotized by this hyperactive, transparent odd creature that, it took me couple of minutes to capture it on camera before we lost sight of it.

Tunc took some pictures, I took a short video and we went on our dive. We had no idea that we had such a rare experience. If we did, we would definitely spend the whole dive trying to capture its beauty, getting more detailed shots of it.

After the dive we rushed to check the books and internet to learn what it was. It looked like an eel, it was definitely a juvenile eel, but it was too big for a larva. It didn’t really look like anything we could find in the books or online resources. We started to get more more intrigued by the “thing” we had seen and we were desperate to find out what it was.  Tunc posted the picture on wetpixel.com and asked for an expert opinion. Marine biologists had different ideas.  One of them said he needed to count the muscle segments to be able identify. Another one said, the problem with Lembeh was that there were too many species, some of which are unidentified. It was only then we learnt that this creature had been spotted only twice and our encounter was the third. We sure still regret the rest of that dive that we hadn’t spent with it.

There was a lot of interest in the creature’s picture. It was published in Alert Diver and Asian Diver. National Geographic editors had chosen the alien picture to print in the “Your Shots” section on December 2010 issue. It also attracted the attention of marine biologists. Dr.Miller contacted Tunc to support his study of a new eel species, which he thinks was the same as the one we had seen. We sent the photos and videos we had and he will use these for his scientific work on this odd eel.

Its translucent body and tiny head was so fragile, beautiful and strange at the same time that it raised different feelings in everyone. Horror, admiration, curiosity and skepticism are to name a few. One common ground was that it was extraordinary and looked like it lost its way out from a James Cameron movie. Now and then whenever I dive in Lembeh, there is a part of me that hopes to meet this lovely alien again.

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MELVILLE, N.Y. (Feb 6, 2012)

Whether shooting high fashion, weddings or multimedia content, Nikon’s highest resolution sensor to date, a groundbreaking new 36.3-megapixel (7360 x 4912 resolution) FX-format CMOS sensor, affords flexibility and astonishing image quality to satisfy a myriad of client requests. The Nikon D800 incorporates the latest 91,000-pixel 3D Color Matrix Metering III and the Advanced Scene Recognition System, coupled with an improved 51-point AF system for images with amazing sharpness, color and clarity. With its compact, lightweight D-SLR form factor and extensive video feature set, the D800 allows photographers to transition to multimedia to create an immersive story. Professional videographers will appreciate practical features that go beyond NIKKOR lens compatibility and Full HD 1080p video, such as full manual control, uncompressed HDMI output, and incredible low-light video capability. With this innovative combination of features, the D800 celebrates resourcefulness and a dedication to the flawless execution of an epic creative vision. All of this is driven by Nikon’s latest EXPEED 3™ image processing engine, providing the necessary processing power to fuel amazing images with faithful color, a wide dynamic range and extreme resolution.

“Whatever the project, visionaries need a tool that is going to help them stay on-time and on-task. The Nikon D800 re-imagines what is possible from this level of D-SLR, to address the needs of an emerging and ever changing market; this is the camera that is going to bridge the gap for the most demanding imaging professionals, and provide never before seen levels of SLR image and video quality,” said Bo Kajiwara, director of marketing, Nikon Inc. “The D800 is the right tool for today’s creative image makers, affording photographers, filmmakers and videographers a versatile option for capturing the ultimate in still image quality or full HD content, with maximum control.”

Extreme Image Quality

The new Nikon developed 36.3-megapixel FX-format (35.9 x 24mm) CMOS sensor realizes Nikon’s highest resolution yet, and is ideal for demanding applications such as weddings, studio portraiture and landscape, where there is no compromise to exceptional high fidelity and dynamic range. Nikon’s first priority is amazing image quality above all else, and resolution of this magnitude affords photographers the ability to portray even the smallest details, such as a strand of hair, with stunning sharpness or crop liberally with confidence. Photographers also shoot with the assurance of NIKKOR lens compatibility, because only a manufacturer with decades of optical excellence can provide the glass to resolve this kind of extreme resolution.

For shooting with minimal noise in a variety of lighting conditions, the D800 features a wide native ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2). Nikon engineers have created innovative ways to manipulate light transmission to the sensor’s photodiodes, giving users the ability to shoot with confidence in challenging lighting conditions.  Internal sensor design, an enhanced optical low pass filter (OLPF) and 14 bit A/D conversion with a high signal to noise ratio all contribute to a sensor capable of excellent low light ability despite the extreme resolution.  Every aspect of this new FX-format sensor is engineered to deliver amazing low noise images through the ISO range and help create astounding tonal gradation and true colors, whether shooting JPEG or RAW. Images are further routed through a 16-bit image processing pipeline, for maximum performance. To further enhance versatility, users are also able to shoot in additional modes and aspect ratios such as 5:4 to easily frame for printed portraits or a 1.2X crop for a slight telephoto edge. For even more versatility, photographers can also take advantage of Nikon DX-format lenses for more lens options and enhanced focal range (1.5X), while still retaining sharpness and details at a high 15.4-megapixel (4800×3200) resolution.

Contributing to the camera’s rapid performance and amazing image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images and HD video with amazing resolution, color and dynamic range. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, rich tonality and minimized noise throughout the frame. Despite the immense data, the new EXPEED 3 also contributes to energy efficiency, affording the ability to shoot longer.

The D800 also features the Advanced Scene Recognition System with the 91,000-pixel 3D Color Matrix Meter III to provide unrivaled metering in even the most challenging of lighting conditions. At the system’s core is a newly designed RGB sensor that meticulously analyzes each scene, recognizes factors such as color and brightness with unprecedented precision and then compares all the data using Nikon’s exclusive 30,000 image database. Additionally, this new sensor now has the ability to detect human faces with startling accuracy, even when shooting through the optical viewfinder. This unique feature is coupled with detailed scene analysis for more accurate autofocus (AF), Auto exposure (AE), i-TTL flash control and even enhanced subject tracking. The Color Matrix Meter also emphasizes priority on exposure of the detected faces, allowing for correct exposure even when the subject is backlit. Even in the most difficult exposures the D800 excels, such as maintaining brightness on a bride’s face while retaining the dynamic range to accentuate the intricate details of a wedding dress beside a black tuxedo.

Advanced new automatic systems make it even easier to capture amazing images. The camera features a new enhanced auto white balance system that more accurately recognizes both natural and artificial light sources, and also gives the user the option to retain the warmth of ambient lighting. Users can expand dynamic range with in-camera High Dynamic Range (HDR) image capture, and enjoy the benefits of Nikon’s Active D-lighting for balanced exposure. Another new feature is direct access to Nikon’s Picture Control presets via a dedicated button on the back of the body to tweak photo and video parameters on the fly, such as sharpness, hue and saturation.

True Cinematic Experience

The Nikon D800 has a compact and lightweight form factor that’s preferable for a production environment, yet is packed with practical and functional features. The D800 is ideal whether the user is a filmmaker on location or in the studio or a documentarian in the field who requires portability and the NIKKOR lens versatility and depth of field that only a HD-SLR can offer. Filmmakers have the choice of various resolutions and frame rates, including Full HD 1080 at 30/24p and HD 720 at 60/30p. By utilizing the B-Frame data compression method, users can record H.264/MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip (normal quality). This format produces higher quality video data without increasing file size for a more efficient workflow. The optimized CMOS sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion. The sensor also enables incredible low-light video capability with minimal noise, letting filmmakers capture footage where previously impossible or expensive and complex lighting would otherwise be necessary. Users are also able to have full manual control of exposure, and can also adjust the camera’s power aperture setting in live view for an accurate representation of the depth of field in a scene.  Whether shooting for depth of field in FX-format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D800 allows videographers to retain full 1080p HD resolution no matter which mode they choose to best suit the scene. Users are also able to easily compose and check critical HD focus through the 921,000-dot, 3.2-inch LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle.

For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2). This output signal can be ported into a display or digital recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections. This image can also be simultaneously viewed on both the camera’s LCD and an external monitor, while eliminating on-screen camera status data for streaming purposes. The D800 also includes features concentrated on audio quality, such as a dedicated headphone jack for accurate monitoring of audio levels while recording. Audio output levels can be adjusted with 30 steps for precise audio adjustment and monitoring. The D800 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. A microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction. What’s more, recording can be set to be activated through the shutter button, opening a world of remote applications through the 10-pin accessory terminal.

Wield Speed and Performance with Astonishing Accuracy

Whether shooting the runway or fast moving wildlife, the enhanced 51-point AF system of the D800 delivers blazing fast AF with tack-sharp results. Nikon has enhanced the Multi-Cam 3500-FX AF sensor module and algorithms to significantly improve low light acquisition, for precise focus to an impressive -2 exposure value (EV). The focus system utilizes 15 cross-type AF sensors for enhanced accuracy, and the system also places an emphasis on the human face, working in conjunction with the Advanced Scene Recognition System to provide accurate face detection even through the optical viewfinder. The camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8, which is a great advantage to those who need extreme telephoto focal lengths (single cross type sensor active with TC20E III). For maximum versatility in all shooting situations, whether photographing portraits or static subjects, users are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking to best suit the scene.

The D800 delivers upon a professional’s need for maximum speed when it counts. The camera is ready to shoot in 0.12 seconds, and is ready to capture with super-fast AF and response speed. To photograph action in a burst, the camera shoots up to 4 frames per second (fps) in FX mode at full resolution, or up to a speedy 6 fps in DX mode using the optional MB-D12 Battery Pack and compatible battery. Further enhancing the speed of the camera and overall workflow, the D800 utilizes the new USB 3.0 standard for ultra fast transfer speeds.

Construction and Operability

The body of the D800 is designed to offer a compact form factor and a lightweight body for the utmost versatility. The chassis is constructed of magnesium alloy for maximum durability, and is sealed and gasketed for resistance to dirt and moisture. Users are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage.  For storage, the D800 has dual card slots for CF and SD cards, and offers users the ability to record backup, overflow, RAW/JPEG separation, and the additional option of shooting stills to one and video to the other. For high speed recording and transfer, data can be recorded to recent UDMA-7 and SDXC / UHS-1 cards. The shutter has been tested to withstand approximately 200,000 cycles, and the camera also employs sensor cleaning. The D800 also features a built-in flash and is compatible with Nikon’s acclaimed Creative Lighting System, including a built-in Commander mode for controlling wireless Speedlights.

D800E – Maximum Resolution Unleashed

In addition to the D800, Nikon will also be releasing a supplementary model for those professionals who demand even higher resolution and D-SLR versatility; the D800E. This model treads in medium format territory for studio work or landscape photography when there is no exception to only the highest fidelity and sharpness. This unique alternative model will effectively enhance the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera. By doing this, light is delivered directly to the photodiodes, yielding an image resulting from the raw light gathering properties of the camera. A color moiré correction tool will also be available within Capture NX2 to enhance the D800E photographer’s workflow.

Price and Availability

The Nikon D800 will be available in late March for the suggested retail price of $2999.95.1 The D800E version will be available in mid April 2012 for a suggested retail price of $3,299.95. For more information about these models, NIKKOR lenses and other D-SLR cameras please visit www.nikonusa.com.

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MELVILLE, N.Y. (Jan 5, 2012) – The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.

Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color. Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.

“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”
Velocity Meets Versatility

Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.

The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines, photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.

The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.

All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.
Image Quality That Hits the Mark

The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (35.9 x 24mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.

Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3µ pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.

Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.

There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.
Professional Multimedia Features

The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.

Full HD video recording – Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.
Full manual control of exposure – Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.
Uncompressed output: simultaneous Live View – By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.
Audio recording for professionals – The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.
Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes – Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.
Simultaneous live view output without display / simultaneous monitor – Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.
Full-time AF – In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.
New LCD screen – The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. User’s can also zoom in up to 46x to check critical HD focus.
Time lapse shooting – This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.
Remote shutter operation – Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.
NIKKOR lens compatibility – The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.

Professional Construction, Superior Operability

The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.

The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4’s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.

Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.
Price and Availability

The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.*

To see the new D4 D-SLR and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.

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Enjoy the Video of that particular dive !

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MALAYSIA

Kapalai Resort – Malaysia

This resort is great for a romantic getaway, however I wouldn’t recommend to go with young children. It is completely built on a coral reef, so there is no beach. Children have to run around and play and this resort is not suitable for this kind of activity. I think it’s very likely that young children can fall into the sea, especially around the age of 3. Even if they’re good swimmers, it can be an annoying experience for both parents and the child. I wouldn’t recommend this resort if your children are between ages 1 and 5. Walking distances can also be very long here, so request a room close to the dive center if you’re going with children.  We were there when our daughter was a baby, but I haven’t had the courage to go there again since then.

Well, it’s got its advantages too for sure. Since it’s completely on the sea, you get a lot less mosquitoes than other resorts. Their house reef is great, so you can go on a quick house reef dive when the children are having an afternoon nap.  Their rooms are giant,  you can comfortably fill the room with 3 suitcases, snacks, toys, books and you still have plenty of room to walk around.

You’ll be gone for a whole day when you go to Sipadan, coming back usually around 2-3 pm. The other dive sites are quite close to the resort around 5-15 minutes, so you’ll just be gone for the dive and come back to the resort.

You need to take everything you would need with you, especially medicine. The nearest place to go to a doctor or pharmacy is at Semporna which is around two hours away by boat.

Borneo Divers – Mabul, Malaysia

This is the resort where I feel most comfortable with children. And I’ve got my reasons; first of all there is plenty of room for the kids to run around safely. They have a huge restaurant area and a TV/computer room where the kids can watch their DVDs or even get Disney Channel when it’s too hot to play outside. There is also plenty of room for them to draw, play with modeling dough and board games. There is big beach where they can build sand castles and enjoy the sea.  There is a small but lovely swimming pool which can be lifesaving when we feel too tired to take the kids snorkeling. Enjoying a beer at the pool bar at the end of the day is also great. The staff is lovely, they’re great with children and even prepare special meals for them without us asking for it like spaghetti Bolognese and pizza (all time kid favorites).  They even have high chairs, so I can easily say that this is the most child friendly dive resort you can find.

I can’t think of any disadvantages, to be honest. Yes, there are mosquitoes but not more than what we have here in Jakarta. It’s a lovely resort to go with children. Same as Kapalai, you’ll be gone for a day when you go to Sipadan. Borneo divers is one of the few resorts that offer 4 dives a day at Sipadan, so you’ll be back to the resort around 4 pm, after 4 wonderful dives at Sipadan. Your kids will be happier when you’re not at Sipadan, as the dive sites are quite close to the island. You’ll only be away for the dive and come back to the resort after each dive.

You need to take everything you would need with you, especially medicine. The nearest place to go to a doctor or pharmacy is at Semporna which is around two hours away by boat.

INDONESIA

Thalassa Diving, Santika Hotel – Manado

Santika is a huge hotel with a big pool and a small playground. There is a lot of room for the children to run around and play. We could also get nannies quite easily through Thalassa. Thalassa’s boats are big enough for children to go if you are okay with it. Although there is no beach that the kids can play on sand, they love coming on the boat with us. Their jetty is lovely to swim when the boats are not there, but there isn’t much to see snorkeling at the jetty. However, if you’re willing to skip a dive, go on the boat and snorkel with your children, you can show them the tropical reef life very well.  My children saw napoleon fish, turtles and jacks in addition to all the colorful small reef fish and they were fascinated by the experience.

Depending on where the dive center plans to go, the boat may be out for 3 dives or come back to the dive center after each dive. So you need to check next day’s plan with the dive center in advance. Thalassa is a child friendly dive center and they welcome kids on their boats. However, boats can be dangerous places for kids and it can be annoying for other divers to have children running around when they’re trying to get ready to dive. The comfort of other divers is very important to us, so we wouldn’t be taking kids on the boat if we think it would be inconvenient.

One important point is that the service at the restaurant of Santika is veeeeery sloooow. I’d recommend that you plan your children’s meals an hour before they get hungry. Yes, it really does take an hour for the restaurant to bring your order sometimes. The staff is lovely, please don’t treat them bad because of the slow food service. Just order early and avoid the tension. The food variety is good here, a good mixture of local and international cuisine. You can get fish and chips, fried rice, pasta, soups and all sorts of grilled meat. Don’t forget to try their Soto Ayam. If you want a change, the hotel has a shuttle to Manado. I would strongly recommend to go to one of the nice seafood restaurants. There is also a Pizza Hut at the shopping mall.

You can do the Highland Tour with your children. I didn’t take them to the local market where they sell the meat of all sorts of animals, but  rest of the tour was fun, especially the waterfall.

Nearest place to go to a doctor or pharmacy is Manado, which is around 45 minutes away by car. There is a mall where you can get  lots of things a child may need, even toys.

KungKungkan Bay Resort – Lembeh

This is a lovely resort with a nice beach right in the front. Dive sites are very near, so you’re not gone for too long on the dives. You can get nannies from the resort, but you’d better inform them in advance. When the resort is busy, it may be difficult to find someone. They have a pool as well which kids enjoy. There are usually strong currents in front of the resort, so never leave your children unattended at the beach or in the sea. Their restaurant is amazing and you can find lots of stuff you and your children will love. Their family rooms are big enough for a family of four. They have TVs at the rooms. They have a nice spa and although it’s difficult to arrange the time when you have children with you, try to squeeze this into your plans. Both the dive center and the resort are run very professionally, so this is one of our favorite places to stay with or without children.

They offer a tour to see the Tarsus monkeys, but we never compromised diving. I’m sure it would be interesting, but I can’t comment much since we’ve never done this tour.

Manado is around 1,5 hours away and Bitung is around 20 minutes away which is the nearest place to get a doctor or pharmacy.

Raja Ampat:

Raja Ampat is a “must see” destination for all seasoned divers. It’s one of the rare sanctuaries left on our tired planet. It’s not so easy to reach these sacred seas though. You need to come to Jakarta first from wherever you are. Then take a long flight to Sorong which is usually via Makassar or Ambon. How long the boat ride to the island takes, depends on the sea conditions and which island you go. I’ve been to Kri and it took us around 2 hours.

For Raja Ampat, I would recommend to bring your own care taker with you. Locals are lovely people, very naïve, very special. But it is very difficult to communicate with them and even if you can speak their language, your requirements and requests will probably not make any sense to them. Having your own care taker will relieve a lot of worries over safety for you.

Raja Ampat is in the middle of a very diverse ecosystem. Resorts are located between the beach and the rainforest. I would advise to keep your children away from the forest and stay at the beach.  I think the main concern about Raja Ampat for a parent is the risk of malaria and dengue fever. As much as I dislike using mosquito repellent lotions on my children, this is one place you can’t avoid these. You need to renew the lotion every 3 hours, as they’re not effective after 2-3 hours. Don’t forget to spray the rooms, before sleeping and then do your best to avoid mosquitoes under the bed net. I would also recommend packing light but long sleeved clothing for children.

The nearest place for a doctor or pharmacy is Sorong and there aren’t transfers to Sorong from the islands very often. So you have to pack everything you may need.

Kri Eco Resort:

This resort is an eco resort as you can figure out from the name and facilities are very minimal. Rooms are built in Papuan style, completely out of wood. My second biggest concern here is that the rooms don’t have toilets. There are shared toilets which are kept always clean. I’m not worried about the hygiene, but it’s a nightmare to go to the toilet when nature calls in the middle of the night. Of course there are solutions like potties or even having them pee out of the balcony to the sea. I must admit, it’s not very convenient when you’re with children. Hot water is only available when there is a night dive. There is no fresh water here, you’ll be using sea water during your stay. But it isn’t as bad as it sounds.

Third concern I have is that  balconies of the rooms don’t have any rails and the rooms are built on the sea. I find this worrysome.

The food is local cuisine, but it’s tasty. We take a lot of food with us usually, like small cartons of milk, cheese, olives, nuts, cookies and biscuits since there isn’t any alternative to what’s served.  But you don’t have to do that, the food is good enough. Especially their freshly baked homemade breads in the mornings.

Papua Paradise Resort:

Everything written above for Kri Eco resort is valid for this resort as well. The only exception is that each room have it’s own toilet and shower. There is also hot water and the water used is fresh water. So you don’t have to wait to go to the Hidden Bay to have a fresh water shower

Derawan-Sangalaki-Maratua

Derawan Dive Resort:

Going there is an issue as well. You need to fly to Balikpapan and then to Berau, then take a two hour boat transfer to reach the island. Resort is located on the beach and rooms are on land. There is plenty of space for the kids to run around and play. Each room has it’s own toilet, shower and hot fresh water. VIP rooms have TV sets.

I would recommend to take your own caretaker here. Food is nice but very local and you may find it boring after a few days. It may be good to have some back up in case you get tired of  local spices and smells.

There is a small clinic on the island for emergencies, but I’d recommend that you take your the primary medicines with you.

I hope the information given have been useful to plan your holiday. I will write separate posts about Bali and Turkey as there’s a lot to talk about these places. Please feel free to drop us an e-mail or comment if you have questions left unanswered.

The post Resort and Destination Reviews from a Mother : Malaysia and Indonesia appeared first on Tunc & Selen Yavuzdogan Photography.

I’m always well prepared for long flights and hotel time when mummy and daddy are diving. I take plenty of coloring pages, crayons, modeling dough, their favorite books and films and plenty of sand toys. My children love listening to music and pretending they’re adults, so i-pod and earphones is a big hit for them. That alone is enough to keep them quiet during all the waiting time at small, ugly airports. As much as I dislike and disapprove of computer games, I have to admit that i-pad, i-phone or any computer comes handy when you can’t find anything else to occupy them. Especially when they’re tired, hungry and you can see a tantrum coming.

 Talking about hunger, I’m also always prepared about food when travelling. We can’t always find something kids would like to eat at all the airports and sometimes we don’t have time to stop for a meal. Kids meals of most airlines are not healthy, filled with packaged chips and candies. So I always carry some healthy snacks for the kids in my back pack. Mixed nuts, raisins and other dried fruits, fresh bananas and apples, homemade cookies and small sandwiches are alternatives I prefer. As I mentioned in the previous post, cheese and yogurt are not easy to find in remote areas in Asia. If they’re an important part of your child’s nutrition, you’d better take these with you.

You should take emergency medicine with you as well. I always pack antibiotic, paracetamol, ibuprofen, anthihistaminic,  something against diarrhea, something for insect bites, basic first aid stuff and  vitamins. If you’re travelling to areas with dengue fever or malaria risk, you should get plenty of mosquito repellent lotion and patches. I find that patches are not so effective, but they don’t have direct contact with the skin. There are organic mosquito repellents for children, Johnson&Johnson also has a deet free lotion for children which you can find easily in supermarkets. Citronella oil is a natural repellent, but again, it may not be very effective. We always try to spray the room before we sleep on the first day. Since we can’t take aerosols with us on the plane, we ask the person that helps with the transfers to stop somewhere on the way to the hotel to buy Baygon or something similar. Don’t forget to spray at least 3 hours before you go back to the room, so that you have enough time to get rid of the spray and fill the room with fresh air before you sleep.

Asians love children. It’s not hard to find someone to play with them, but in order not to give any disturbance to anyone, we always arrange a nanny with the hotel or resort in advance. We brief the nanny about our rules e.g. no swimming without mummy or daddy, hats should be worn at all times, etc.  If the dive boat is suitable (has a shade, big enough, not very crowded) we take them on the boat as well. Our children can swim, but they also don’t jump into the sea when they’re told not to. So we feel it’s okay to leave them on the boat when we’re diving. We snorkel with them between the dives which we all enjoy a lot.

These trips are great opportunities to create your own family traditions and memories. Our travel traditions include buying postcards for friends and family from, keeping a holiday journal and collecting seeds or leaves from every destination. They used to draw the picture of a memory each day in their holiday journal. Now my daughter can write, so she writes, my son still draws.

We love going on dive trips with our children. There are limitations to where you can go and what you can do for sure. I will write my reviews about the places we’ve been in Indonesia, Malaysia and Turkey in a separate post. Bottom line is, it’s what you make out of it. It’s a great experience to discover the world through the eyes of your children, to get excited over a tiny clownfish, to be amazed by a blue starfish. It is a lot more tiring than a dive trip without children, but the satisfaction cannot be compared. Take plenty of pictures, run after the tiny crabs on sand, be amazed by the pink particles in the sand, put flowers in your hair, watch the sunset and milky way.

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